︎︎︎all essays

︎︎︎With training wheels on: A facilitatorial, by Orissa Keane (05.11.21)

︎︎︎ Hannah Ireland’s Hate to rain on your parade, 2021 at Sanc.
Response by Theo Macdonald (15.11.21)

︎︎︎ Rebirth in the chaos: Connor Fitzgerald’s TOWARDS THE SUN, 2021 at play_station.
Response by Whiro Walker (01.12.21)

︎︎︎ Mana Whenua at Wormhole: Jordan Davey-Emms in conversation with Sarah Hudson and Felixe Laing (22.01.22)
︎︎︎I See Mycelium / I Hear the Sound of Broken Glass, 2022 at Blue Oyster.
Response by Robyn Maree Pickens (20.02.22)

︎︎︎ The Faux Canon: A review of A Retrospective by Mercury Tower, 2022 at Mercury Tower.
Response by Charlotte Filipov (03.03.22)

︎︎︎ Transcripts: Lexi Kerr, ODDLY (15.03.22)
︎︎︎Transcripts: Nayan Patel, Freedoom (23.03.22)

︎︎︎Transcripts: JJ Harper, LOVER <3 (27.03.22)

︎︎︎ Sorawit Songsataya’s Homefire, 2022 at Paludal.
Response by Jane Wallace (31.03.22)

︎︎︎ Wild Once More curated by Christopher Ulutupu, 2022 Te Tuhi off-site.
Response by Robbie Handcock (12.04.22)

︎︎︎ the Secret Path by Tini Whetū and the Platform Project, 2022.
Response by Stacey Kokaua (08.05.22)

︎︎︎ Ko wai a Māpihi? This not water by Cae Te Wheoro Heke and Nick Denton, 2022 at Enjoy.
Response by Kasi Valu (29.05.22)

︎︎︎ Daniel Strang’s Openings, 2022 at RM.
Response by Theo Macdonald (15.06.22)

︎︎︎ Antje Tamae Barke, needs, 2022 at ODDLY.
Response by Sascha Wall (23.06.22)

︎︎︎ Caitlin Clarke, bold blue, red hill, 2022 at WAVE.
Response by Simon Palenski (05.07.22)

︎︎︎ Heartbeat: A response to David Green’s Songs of Rupture, 2022 at Anteroom.
Response by Iona Winter (25.07.22)

︎︎︎ Papatūnga: A reflection on James Tapsell-Kururangi’s curatorial approach.
Written by Misong Kim (19.08.22)

︎︎︎ Sam Clague, Sing Alongs Volume 1, 2022 at Pyramid Club.
Response by Max Fleury (23.09.22)

︎︎︎ Gareth Brighton, Flotsam, 2022 at 18a.
Response by Linda Dimitrievski (14.10.22)

︎︎︎ June editorial: On ellipses and returning. 
Written by Orissa Keane (25.11.22)

︎︎︎  Hair/Here: Misaeng by Min-Young Her, 2022 at play_station.
Response by Vanessa Crofskey (09.12.22)

︎︎︎  Up from, beyond the.: Touching Time by Yukari Kaihori, 2022 at Audio Foundation. 
Respose by J. A. Kennedy (30.12.22)

︎︎︎  The Power that Flows Through Us by Matthew Galloway, 2022–23. 
Response by Andrea Bell (04.02.23)

︎︎︎ Te Mahi Peita and Kare ā-Roto, 2023 at Tini Whetū Project Space, curated by Piupiu Maya Turei.
Response by Caitlin Rose Donnelly (24.03.23)

︎︎︎  Entanglement by Josh Carlier, 2023 at RM.
Response by Nathan Regal (06.04.23)

︎︎︎  Communication breakdown: October 1935 by Aliyah Winter, 2023 at RM.
Response by Divyaa Kumar (07.05.23)

︎︎︎  The Hand of Dog by Stuart Forsyth, 2023 at Toi Pōneke. 
Response by Louie Zalk-Neale (05.06.23)

︎︎︎  E moko, come home by Tessa Russell, 2023 at Wormhole. 
Response by Hana Pera Aoake (22.06.23)

Response by Leafa Wilson (05.07.23)

︎︎︎  Aerodynamicas: A kite flying event by Milli Jannides and Nicola Farquhar at Waimairi Beach, Ōtautahi.
Response by Jasmine Gallagher (22.07.23)

︎︎︎  Still, pictures: A response to Geist by Tessa Ayling-Guhl. 
Response by Jess Clifford (17.08.23)

︎︎︎  Olfactory landscapes: A response to Osmologies by Jo Burzynska.
Response by Wesley John Fourie (05.09.23)

ISSN 2744-7952

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