︎︎︎ Hannah Ireland’s Hate to rain on your parade, 2021 at Sanc.
Response by Theo Macdonald (15.11.21)
︎︎︎ Rebirth in the chaos: Connor Fitzgerald’s TOWARDS THE SUN, 2021 at play_station.
Response by Whiro Walker (01.12.21)
︎︎︎ Mana Whenua at Wormhole: Jordan Davey-Emms in conversation with Sarah Hudson and Felixe Laing (22.01.22)
︎︎︎I See Mycelium / I Hear the Sound of Broken Glass, 2022 at Blue Oyster.
Response by Robyn Maree Pickens (20.02.22)
︎︎︎ The Faux Canon: A review of A Retrospective by Mercury Tower, 2022 at Mercury Tower.
Response by Charlotte Filipov (03.03.22)
︎︎︎ Wild Once More curated by Christopher Ulutupu, 2022 Te Tuhi off-site.
Response by Robbie Handcock (12.04.22)
︎︎︎ the Secret Path by Tini Whetū and the Platform Project, 2022.
Response by Stacey Kokaua (08.05.22)
︎︎︎ Ko wai a Māpihi? This not water by Cae Te Wheoro Heke and Nick Denton, 2022 at Enjoy.
Response by Kasi Valu (29.05.22)
︎︎︎ Heartbeat: A response to David Green’s Songs of Rupture, 2022 at Anteroom.
Response by Iona Winter (25.07.22)
︎︎︎ Papatūnga: A reflection on James Tapsell-Kururangi’s curatorial approach.
Written by Misong Kim (19.08.22)
︎︎︎ Up from, beyond the.: Touching Time by Yukari Kaihori, 2022 at Audio Foundation.
Respose by J. A. Kennedy (30.12.22)
︎︎︎ Te Mahi Peita and Kare ā-Roto, 2023 at Tini Whetū Project Space, curated by Piupiu Maya Turei.
Response by Caitlin Rose Donnelly (24.03.23)
︎︎︎ ALO PAOPAO! HOEA! A response to MOTHERLAND/HOMELAND at HOEA!
Response by Leafa Wilson (05.07.23)
︎︎︎ Aerodynamicas: A kite flying event by Milli Jannides and Nicola Farquhar at Waimairi Beach, Ōtautahi.